Behringer C-3

Behringer C-3

The Behringer C-3 is a dual-diaphragm condenser microphone with switchable polar patterns for studio and live applications.

The Behringer C-3 is an affordable, high-quality way to put this essential studio tool to work for you. It has three selectable pickup patterns: omnidirectional for capturing sound equally on all sides; cardioid for picking up your source signal while rejecting off-axis sounds; and figure-eight for capturing sound both behind and in front of the mic, but not all the way around. With its excellent transducer and gold-plated XLR output, the Behringer C-3 is very neutral-sounding and truly delivers on the promise of noise-free transmission.

The Behringer C-3 condenser mic is a home recording enthusiast’s dream come true. This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy.

The C-3 studio microphone is built to be your go-to condenser mic for years to come. Its tough, die-cast body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its rugged foam-padded carrying case, it travels in safety and style. We also included a swivel stand mount so it can be affixed to your studio’s mic stands.

This condenser mic is an excellent choice for live and studio applications, and it’s available at a price that will leave you with enough cash left over to secure other recording essentials. Check out the incredible Behringer C-3 at Audiocom Kenya.

Features:

• Ideal as main and support microphone for studio and live applications
• Pressure gradient receiver with shock-mounted dual-diaphragm capsule
• Ideal for acoustic instruments, as overhead mics and piano etc.
• Linear frequency response
• High sound resolution
• Transformerless and low-noise FET input circuit prevents distortion in the bass range
• LED status indicator for phantom powering
• Extremely rugged construction with cast metal housing
• Gold-plated XLR connector for perfect signal transmission
• Very robust construction

The dual-diaphragm C-3 microphone is a home recording enthusiast’s dream come true! This professional quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy. With selectable pickup patterns (cardioid, omni and figure eight), frequency filters and input pads, the C-3 mic is an excellent choice for any recording scenario – and rugged enough to go the distance! With a heavy duty suspension mount and windscreen included in the sleek aluminum case, the C-3 just may be the only microphone your studio will need.

Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They are the primary type of microphone used in recording studios and radio stations. The C-3 mic is capable of capturing much more detail than most dynamic microphones because of its wider and flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48 V) for operation. You can power your C-3 using any phantom power equipped Behringer XENYX mixer – plus enjoy the benefi ts of our state-of-the-art XENYX mic preamps.

The C-3 is an affordable, high-quality way to put this essential studio tool to work for you. It has three selectable pickup patterns: omnidirectional for capturing sound equally on all sides; cardioid for picking up your source signal while rejecting off-axis sounds; and figure-eight for capturing sound both behind and in front of the mic, but not all the way around. With its excellent transducer and gold-plated XLR output, the C-3 is very neutral-sounding and truly delivers on the promise of noise-free transmission.

• Position the microphone about 6-12 inches away from the sound source for optimal sound capture.
• Use the cardioid pattern for focused recordings, such as vocals or solo instruments.
• Select the omnidirectional pattern to capture the ambient sound of the room or for group recordings.
• Use the figure-8 pattern for recording duets or interviews, capturing sound from both the front and back.
• Engage the low-frequency roll-off filter to reduce unwanted rumble and achieve a cleaner sound.
• Utilize the -10 dB pad when recording loud sources to prevent distortion.